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Camera Position 31 : Editing as Creative Process
Jeff Curtos Camera Position
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Photography podcasts that deal with the why of photography over the how and discuss the essential qualities of the medium from the point of view of the creative photographer.
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Nederlands (Nederland) \ Premium Learning \ Fine, Visual & Graphic Arts \ Photography
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How many images does it take to say what you want to say? Editing your work to create a group of images that projects a coherent voice is an important part of the photographic process. Honest and unmerciful editors have the most effective stories. Santa Fe Center for Photography – home of the Creative Edge [...]
Camera Position 31 : Editing as Creative Process
0:20:34
Once we get back to the darkroom-digital or chemical-how do we maximize the vision and idea we had when we were in the field making the photograph? We explore the post-production side of the creative process using a photograph of Civita di Bagnoreggio. Click on the images for a larger view Civita di Bagnoreggio, Umbria, [...]
Camera Position 30 : After The Shutter Closes
0:14:57
Where do creative ideas come from? How do we figure out what’s the most interesting thing to photograph? Using the photographs and ideas of photographer and writer Wright Morris (1910-1998), I explore the notion of mining your past and your passions to find your subject.
Camera Position 29 : Where Are You From?
0:11:07
- - -- Photographs by Philip Trager – click images for a larger view When we choose a subject, sometimes we need to choose the right machine to record that subject. This episode uses the work of photographer Philip Trager to show how subject can influence the tools that we use.
Camera Position 28 : Which Came First?
0:11:44
Click image for a larger view Whether we like it or not, photography has technology at its base. Sometimes, changing up the equipment we use can allow us to change the way we look at the world in a significant way. This episode uses a triptych image I made in using smaller-than-my-normal 4×5 camera and [...]
Camera Position 27 : The Mind & The Machine
0:08:18
The edges of the frame change everything about how we see a photograph. One of the great masters of the use of the photographic frame edge was Edward Weston, and today we look at his remarkable ability to show us “just enough” of the subject. The podcast briefly touches on gestalt theory for the visual [...]
Camera Position 26 : Weston & The Edges
0:09:08
For the last 16 years, I’ve been photographing structures and the landscape in Italy. Over the last two years, though, I’ve tried my hand at portraits and have learned some things about photography, my interests and the power of the large-format camera. This podcast features two versions of a portrait of a 97-year-old Italian man. [...]
Camera Position 25 : Pick a Pair of Portraits
0:13:41
As I’ve worked with one of my newest photographs, I’ve noted a loose relationship Alfred Stieglitz’ “The Steerage” from 1907. It reminded me that photographers need to be aware of the image makers who have gone before them and helped them see. Now, I’m not saying that my photograph is the same as Stieglitz’ masterpiece, [...]
Camera Position 24 : Looking & Looking Back – Stieglitz & “The Steerage”
0:13:41
Photographs by Jeff Curto Sometimes, when you think that there is a photographic subject in front of you, you can’t see the picture you want to make. In this episode, I talk about taking a left turn, both to find a photograph and to provide a catalyst for even more images. I also take a [...]
Camera Position 23 : Take a Left Turn
0:14:33
This episode of Camera Position is a bit different from previous episodes. First off, it is a lot longer. Weighing in at a little over an hour, it is a podcast of a presentation I made recently at the MacSpecialist store in Villa Park, Illinois. I had been invited to come and speak to a [...]
Camera Position 22 : Getting Back Your Box of Crayons
1:09:35
As I return to Camera Position after a month-long hiatus, I give you a few minutes with one of my favorite paintings, “The Calling of St. Matthew” by Caravaggio. Caravaggio’s sense of light and moment of “exposure,” were extraordinarily “photographic.” See a larger version of the image with this link Yes, I’d planned on trying [...]
Camera Position 21 : Caravaggio and the Road to Rome
0:13:04
The visual device of a "view through" from one place to another is a fairly common one in photography, and one that I tend to use often. This episode explores a variety of ways of using the idea of framing a subject to emphasize a sense of space and place.
Camera Position 20 : The View Through
0:10:31
When a photographer finds a beautiful scene, there is often a temptation to put everything he sees in the photograph, even if the image that results isn’t all that interesting. Here, Ansel Adams and Paul Caponigro show us how showing less shows us more. As a side note, if you are listening to and enjoying [...]
Camera Position 19 : When Less Really Is More
0:11:28
Here is an absolutely dull photograph of an absolutely dull (and ugly!) piece of cardboard that is one of the most indispensible pieces of equipment in my camera bag. Temporarily diverting Camera Position from the examination of fine photographs, I look at a tool I use to help me make better images. By using this [...]
Camera Position 18 : A Dull Picture of A Useful Object
0:09:34
The idea of photography that depends on the exact moment of exposure for success didn’t originate with Cartier-Bresson, but he certainly made the most of that perfect instant. Bresson’s idea of “the decisive moment” is examined this week, along with the idea of how photographers always have to grapple with the intersection between idea and [...]
Camera Position 17 : The Instant and the Machine
0:09:34
Sometimes, photography is the proverbial "game of inches."
Camera Position 16 : The Game Of Inches
0:10:20
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