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Anton Chekhov wrote three interconnected short stories, sometimes referred to as "THE LITTLE TRILOGY." The three tales , "The Man In a Case," "Gooseberries," and "About Love," have been continually admired and read for more than a hundred years as individual stories. When read/listened to together, they reveal interrelated, reoccurring characters and themes. The three stories, recorded here in public performance, are available in two audiobook formats as well as three separate story episodes. Total audiobook length: 1 hour 32 minutes.
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Grammar Girl provides short, friendly tips to improve your writing. Whether English is your first language or your second language, these grammar, punctuation, style, and business tips will make you a better and more successful writer. Grammar Girl is a Quick and Dirty Tips podcast.
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Lectures for a Survey of British Literature from the Romantics to the Moderns. ENG 264 is an online course offered during Mercer University's summer sessions.
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Limited Fork Music offers electronic and jazz-based experiments in sound as well as spoken experiments. Limited Fork Music is on the soothing side of the avant-garde. Limited Fork Music seeks and makes audible pulses. Limited Fork Music is also a literary poetry jukebox where the ego associated with high art has been overcome. Come here each week for the latest Limited Fork tune(s). Learn more about Limited Fork Poetics and see related video poams in the Limited Fork and Limited Fork Video Anthology podcasts.
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Poul Henningsen dengang og nu - lysmageren i nyt lys. Kulturkritikeren og multikunstneren Poul Henningsen figurerer
stadig livligt i debatten, men ofte som skræmmebillede på en udefineret
’kulturradikalisme’. Han er en mand alle har meninger om,
tit på tredje hånd, hans ideer er delvis skjult af fordomme og uvidenhed,
men der er også reel uenighed om ham. Dette seminar vil
diskutere åbent og kritisk hvad han står for, og hvilken indflydelse
han har haft på dansk livsform og bevidsthed.
Seminaret vil over 12 torsdage bringe fagfolk i debat med hinanden
og med publikum for at afklare PH’s indsats og betydning. De
indkaldte kendere kommer fra historie, kunst-, teater-, arkitekturog
designhistorie, litteratur-, sprog-, film- og medievidenskab,
kvindeforskning, jura, teologi, medicin samt fra medierne og det
politiske liv. De enkelte torsdage vil behandle PH’s idéhistoriske
placering, PH som kritiker og lyriker, hans forhold til lys, arkitektur,
byplanlægning og naturfredning, til revy og jazz, slaget om
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til retsopgør og flygtningedebat 1945-47, til seksualitet, kropskultur
og kvindesag, til arbejderbevægelse, kommunisme og konservatisme,
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I lighed med de tidligere forelæsningsrækker Den kulturradikale
udfordring (2000) og Det stadig moderne gennembrud (2002) er
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John Burroughs (1837-1921) was an immensely popular writer during his lifetime. He traveled with John Muir and Teddy Roosevelt; he spent various afternoons with Thomas Edison and Walt Whitman. He was Whitman's first biographer. One might say he had, for many years, his pen on the pulse of the times. Now the times are different and Burroughs is forgotten. Still, with relaxed patience, one can experience his works as they breathe the fresh simplicities of life, especially his intimate milieu: the great outdoors, the flora and fauna, rocks, water, the air and sky —and man's place in the midst of it all.
His poetry can be grouped with his minor writings; he had clear insight into his own facility in poems, to wit, the title page of BIRD AND BOUGH, his sole volume of verse, sports a self-deprecating epigraph from a line by John Bunyan: "Some said, John, print it; others said, Not so." All of his published poetry can be found in this collection, with the exception of "My Own Should Come To Me" and "Waiting." The later, frequently anthologized, was his most well known, and liked, even today. — A PDF of the poem texts can be found as one of the episodes.
— These poems were recorded at various times and in various places through the years. Recording qualities vary.
This is an on-going collection. Come back from time-to-time. See you at Slabsides!
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"We all have too much data and too little time," says Gordon. "Our listeners are just like us -- curious and eager to learn. But it's tough to find the people actually creating our future. And even harder to get first-hand access to them. Bill and I are a lot like scouts. Explorers. We go a little way ahead to see what's going on in the territory we're about to enter. Who's doing the interesting work? What do we need to know? What are we missing? Then we return with the broadcast, audio cassettes and soon the Internet. Our listeners have a life. They don't have the time or sometimes the inclination to do the background work. That's our job ! Hence 'Cliff Notes"' laughs Gordon, who was nominated for an Emmy for the television interviews she conducted before venturing into twenty years of film and video production. "I'm home," she says simply.
Bill Russell is co-host. He vigilantly balances Gordon's enthusiasm with a well tempered skepticism. "Paula and I are both genuinely excited about the changes going on all around us. And sobered. Big Things are happening in a remarkable range of endeavors. We hear the same words coming from people doing totally different work. We're surrogates for our listeners, exploring new developments in the physical, scientific, intellectual and spiritual realms. Too many people in all walks of life simply don't know how much is going on that's positive. This Show is a chance to hear about work that gives both of us hope and others are responding that way too.
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