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Woody Allen wrote, directed and stars in this comedy/drama about the amorous affiliations of three sisters and the men in their lives. Story touches on such universal themes as life, death, love, adultery, religion and family relations.
Hannah and Her Sisters
The sequel to Chinatown finds Jake Gittes investigating adultery and murder and the money that comes from oil.
The Two Jakes
A beautiful young artist commits adultery with her husband's young business partner and finds herself embroiled in pornography, blackmail and murder.
The Art of Murder
This film unveils the lives of two women in a city in Iran. We explore their everyday life and the way prostitution functions in a country where it is banned and where adultery is persecuted.
Prostitution Behind the Veil
Rabbi Zvi Aviner takes you step by step, up the ladder of Noah’s Seven Commandments, which is the moral fabric of civilization. The classes are on IDOLATRY, ADULTERY, BLOODSHED, THEFT, INJUSTICE, BLASPEHMY and MERCY (the Prohibition to eat BLOOD and a Limb from a Living Animal.)
The stories and concepts are drawn from thousands-years old Jewish literature, like the Midrash, Talmud, commentators and Kabbalah. More importantly, the material is anchored in Jewish customs, prayers and liturgy; some dated to the Holy Temple of Jerusalem.
Here you’ll discover the origin of ideas that have shaped our world, like the coming Reign of Mercy, the Heavenly Kingdom and the Eternal Sabbath. Whether you’re a Christian, a Muslim or a Jew, you’ll find these classes illuminating and inspiring.
Noah is the father of all Mankind. Hence his teaching is the roots of all faiths. Noah, by the very meaning of his Hebrew name, is a pleasant and accommodative teacher. His wife’s name, Naama, means the same. Learn about both of them, about their falling in love, and about their fascinating families and treacherous times. You’ll find that nothing is new under the Sun, and that we are still facing a similar moral discourse.
HaShem’s 7 Commandments for all Mankind
The story begins in seventeenth-century Salem, Massachusetts, then a Puritan settlement. A young woman, Hester Prynne, is led from the town prison with her infant daughter, Pearl, in her arms and the scarlet letter “A” on her breast. The scarlet letter "A" represents the act of adultery that she has committed; it is to be a symbol of her sin for all to see. She will not reveal her lover’s identity, however, and the scarlet letter, along with her public shaming, is her punishment for her sin and her secrecy. (Summary adapted from Wikipedia)
Librivox: Scarlet Letter, The by Hawthorne, Nathaniel
Owing to its highly personal content focused on feminine sexuality, this LibriVox edition was recorded by eight female readers. To give you an idea of the subject matter, Project Gutenburg catalogues The Awakening under "Adultery -- Fiction -- Women -- Louisiana -- New Orleans -- Social conditions. (Summary by Denny Sayers)
Librivox: Awakening, The by Chopin, Kate
The Germania (Latin: De Origine et situ Germanorum, literally The Origin and Situation of the Germans[1]), written by Gaius Cornelius Tacitus around 98, is an ethnographic work on the Germanic tribes outside the Roman Empire. Germania fits squarely within the tradition established by authors from Herodotus to Julius Caesar. Tacitus himself had already written a similar essay on the lands and tribes of Britannia in his Agricola. The Germania begins with a description of the lands, laws, and customs of the Germanic people; it then segues into descriptions of individual tribes, beginning with those dwelling closest to Roman lands and ending on the uttermost shores of the Baltic, among the amber-gathering Aesti, the primitive and savage Fenni, and the unknown tribes beyond them. Tacitus' descriptions of the Germanic character are at times favorable in contrast to the opinions of the Romans of his day. He holds the strict monogamy and chastity of Germanic marriage customs worthy of the highest praise, in contrast to what he saw as the vice and immorality rampant in Roman society of his day, and he admires their open hospitality, their simplicity, and their bravery in battle. One should not, however, think that Tacitus' portrayal of Germanic customs is entirely favorable; he notes a tendency in the Germanic people for what he saw as their habitual drunkenness, laziness, and barbarism, among other traits. Tacitus says that physically, the Germans appeared to be a distinct race, not an admixture of their neighbors. In Chapter 4, he mentions that they have common characteristics of blue eyes, blond or reddish hair and large size. In Chapter 7, Tacitus describes their government and leadership as somewhat merit-based and egalitarian, with leadership by example rather than authority and that punishments are carried out by the priests. He mentions that the opinions of women are given respect. In Chapter 9, Tacitus describes a form of folk assembly rather similar to the public Things recorded in later Germanic sources: in these public deliberations, the final decision rests with the men of the tribe as a whole. Tacitus further discusses the role of women in Chapters 7 and 8, mentioning that they often accompany the men to battle and offer encouragement. He says that the men are often motivated to fight for the women because of an extreme fear of their being taken captive. Tacitus says that the Germans are mainly content with one wife, except for a few political marriages, and specifically and explicitly compares this practice favorably to other barbarian cultures, perhaps since monogamy was a shared value between Roman and Germanic cultures. He also records that adultery is very rare, and that an adulterous woman is shunned afterward by the community regardless of her beauty. This translation by Alfred John Church and William Jackson Brodribb, was first published in 1877. (Summary from Wikipedia.)
Librivox: Germania by Tacitus, Publius Cornelius
Mad with jealousy, King Leontes of Sicilia orders his best friend Polixenes killed, his child abandoned, and his wife put on trial for adultery. Sixteen years later, Perdita, raised as a shepherd's daughter, falls in love with Polixenes's royal son and returns to her father's kingdom. (Temporary summary by wildemoose)
Winter's Tale, The by Shakespeare, William
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Мелодрама (от др.-греч. μέλος — песня и δρᾶμα — действие) — жанр художественной литературы, театрального искусства и кинематографа, произведения которого раскрывают духовный и чувственный мир героев в особенно ярких эмоциональных обстоятельствах на основе контрастов: добро и зло, любовь и ненависть и т. п.
Русские Мелодрамы
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