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Andi (Constance Wu) and Lu (Angela Trimbur) are excited to celebrate their upcoming wedding with a joint bachelorette weekend in wine country. On the first night, things go awry when one of the brides admits she's never had an orgasm.
The Feels
A divorced woman (Mia Farrow) admits her daughter (Julia Whelan) to a rehabilitation center to kick an addiction to prescription drugs.
The Secret Life of Zoey
On your blue water Podcast: The doors of the 6th MYBA St. Maarten Charter Yacht Exhibition opened on Friday, and numbers are down on last year. We talk to MYBA President Neil Cheston, who admits the future of this show is in the balance. The Farr 80 Beau Geste stormed into Simpson Bay on Thursday to win the Transatlantic Maxi Yacht Cup, we welcome owner Karl C Kwok as he steps ashore. Sixteen year old Katie Walter will set out on Thursday to trek to the South Pole. When she arrives, Katie will become the youngest person to make the journey. The young adventurer talks to YachtBlast. How would you like to paddle over than 1000 miles in a tiny kayak? We accompany Ryan de Jong as he leaves St. Maarten on his epic voyage. All this and our usual bilge full of international, regional and local sailing news. Welcome aboard.
YachtBlast Maritime/Sailing Show December 6 2009
The opinions expressed are not necessarily those of anyone involved in the production of this book, and are not the views of LibriVox.
On the road to Cairo one may see twenty groups exactly like that of the Holy Family in the pictures of the Flight into Egypt; with only one difference. The man is riding on the ass."
"The real mistake of the Muslims is something much more modern in its application than any particular passing persecution of Christians as such. It lay in the very fact that they did think they had a simpler and saner sort of Christianity, as do many modern Christians. They thought it could be made universal merely by being made uninteresting. Now a man preaching what he thinks is a platitude is far more intolerant than a man preaching what he admits is a paradox. It was exactly because it seemed self-evident, to Muslims as to Bolshevists, that their simple creed was suited to everybody, that they wished in that particular sweeping fashion to impose it on everybody." (Summary from Wikipedia)
Librivox: New Jerusalem, The by Chesterton, G. K.
Octex, Jernej Marušič, (text by: Luka Zagoričnik)
Hidden behind the name Octex is the Ljubljana-based artist Jernej Marušič, who started appearing under this name, a shorter version of Organic Crackle and Tone EXperiments, in the late nineties of the previous century – as a follower of contemporary currents in electronic music and a lover of analogue sound synthesisers. His first released composition ‘Nigljana’ was included in a varied compilation of Slovene electronic music Elektrotehnika Slavenika from the year 2000, which was issued with wide acclaim as a supplement to the British music monthly The Wire. His LP debut ‘Idea Lashna’, by and large one of the most groundbreaking and creative achievements in the Slovene electronic scene, was released in 2002 under Tehnika Records label, having wide reverberations also abroad. The critics recognised it as a top-notch product following the stripped-down aesthetic characteristic of musicians signed under the German label Basic Channel, while the album offered a finely tailored mix of techno, ambient music, and dub as an echo and a reaction to contemporary, nervous sound landscape of urban circles. The album earned Marušič the then influential Slovene music award ‘Bumerang’, awarded by Studio City programme of the Slovene National Television, while in France it was voted one of the ten finalists for the electronic music award presented by Radio France International. That said, Marušič’s music making does not stick to proven recipes and a solidified sound aesthetic. In an on-going, restless search for a new sound, Octex absorbs various trends that schizophrenically spring from the field of electronic musics, incorporating them again and again in its own music in a distinctly unique and recognisable manner. Already with his next album ‘Variations’, released by RX:TX in 2005, Marušič found himself in an altogether new world, which drew on a tense and intense techno connection between Berlin and Detroit, traversed by dub, soft sound textures, and complex, seemingly unstructured rhythms, with which he stepped out of the prescribed matrix 4/4 and which have today become a trademark for Marušič’s work. Around that time, Marušič also started to regularly appear live; he did remixes for well known artists, like Laibach and Ultra-Red, while reverberations of his work also took him across our borders. He performed, for example, in a London-based series Sprawl, in Club Transmediale in Berlin, in Dispatch in Belgrade, and at Exit Festival in Novi Sad. With the album in question, Octex also signed to the home RX:TX label, in the frame of which he performed alongside artists under labels such as Raster-Noton, contributed tracks to two international compilations ‘Progress’ and ‘Progress EX 0.4’, both released by the mentioned label, and was featured on a highly appreciated Slovene compilation ‘Trans Slovenia Express Vol.2’, dedicated to the cult band Kraftwerk and released by the British Mute Records. Earlier this year, RX:TX released Octex’s long-awaited new album titled ‘Every Sound Tells a Story’, which is this time lined more explicitly with an analogue sound of modular sound synthesisers, sifted through digital technology. Individual tracks from the album were inspired by fieldwork recordings, which are in a processed form blended into each track. Dino Lalić, a music critic for Radio Student, wrote the following about the album. ‘Its sound readily admits techno, dub, and ambient influences, with none of them standing out in particular. The fact that these influences remain merged offers a myriad of interpretations. Nobody is right and whoever says he is – is inevitably wrong’. These words fitly capture the essence of the restless, yet sound-wise well-tailored creativity of Jernej Marušič, which he lately also incorporates into improvisation, both in his solo performances and in his work in the trio Ago Tela, which includes, besides Marušič, also DJ Dojajo and Mario Marolt, while at the same t
Octex (Jernej Marušič) - ZVO.ČI.TI (So.und.ing) 2010
After being married for a year The Brown's (mostly Mr Brown) wanted to share some of the lessons they have learned as newlyweds. Mr Brown says, "Marriage is full of love, laughs and lamenting." He freely admits the lamenting comes from seeing some of the selfishness in himself.
The Newlyweds Perspective is a simple conversation about marriage.
Come Join the conversation.
This Podcast was created using www.talkshoe.com
The Newlyweds Perspective
Joe Kelley and Ken Mitchell are lifelong friends from Houston, Texas. Ken has been an Apple fanboy since he bought his ][e back in the 80s. Joe is a 25 year IT veteran, but a more recent convert who readily admits to drinking the Kool-Aid. Together, they offer a unique perspective on the world of Apple. You won't find any east or west coast political correctness here.
The MacTexan Podcast
The practical application of Suspension of Disbelief first appeared in visual arts and is often used in movies nowadays. How many impossible things is the audience willing to overlook to be entertained? Every time something impossible makes its way across the screen and the audience accepts it, suspension of disbelief has taken place. The short film tells the story of 31-year-old Telly Sanders who is madly in love with Valerie, a very attractive woman. They seem to be the perfect couple. That changes when Sam, Telly's childhood friend enters their lives and throws their love off track. As a young boy Telly had to witness his mother cheating on his father and he wasn't able to do anything about it. The unavoidable divorce affected him deeply. His mother left the family and never returned. Once again the past has caught up to Telly and he has to relive it. He catches Valerie and Sam at the cafe, getting home after work and later in bed. Instead of approaching them about it, he decides to wait. But for too long... After a while it becomes too much for him to deal with and jealousy drives him insane. In his blind rage he kidnaps Sam to get the truth out of him. Telly wants to know Sam's reasons for doing something like that. Initially he stays silent, ignoring Telly's threats. With the growing pressure he admits to not only knowing Valerie but having had a relationship with her. Anger overtakes Telly and he throws himself onto Sam. It ends in a tragic accident with Sam motionless on the floor, blood flowing from his head. Telly finds Sam's journal that takes him back to the moments where his blind jealousy first appeared. He has to learn that this jealousy has clouded his perception and he only saw what he wanted to see. But what really happened?
Suspension of Disbelief
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